Sexual Diversity on Soaps: Is It Getting Better?

Y&R surprised the hell out of me this week when it actually acknowledged the existence of gay people. Y&R, as far as I can remember, has never had a gay character -- yet, on Friday's episode, cute lawyer Rafe Torres came out to Colleen after Lily tried setting them up on the fly, completely unaware of Rafe's sexual orientation.

And why wouldn't she be? Soaps are notoriously awful when it comes to LGBTQ visibility (though it's worth noting that primetime network TV is really no better... and perhaps worse). This is especially bothersome since soaps focus so heavily on romantic relationships and potentially have the opportunity to address sexual orientation differences all the freaking time. Yet, heteronormativity is so ingrained in the storylines that soaps frequently run out of unique man-woman pairings and end up recycling the same couplings over and over. Which can be tiresome, offensive, and, in my opinion, an incessant detriment to the romantic storylines.

Rafe on Y&R might be just one sign that things are getting better, however. On As the World Turns, Luke Snyder and Noah Mayer have been a couple on-and-off since 2007. Bianca Montgomery on All My Children came out in 2000, has had multiple relationships (including one with transitioning MtF transwoman Zoe), and recently married her girlfriend Reese during February sweeps. The first ever gay teenager on a soap was Billy Douglas on One Life to Live, played by Ryan Phillippe back in 1992-93. These were all major LGBTQ strides for network television (albeit not without criticism and controversy) that came exclusively from the soaps community.

Yet, Y&R, which has been #1 in soaps ratings since the early 90s, has failed to go there -- until now.

When Rafe Torres was first introduced in December, it was as a marginal, filler character at best, a lawyer brought on to handle cases Michael Baldwin couldn't take on (there are a crap-load of legal issues in Genoa City, after all). Rafe was shown so sporadically and in such different contexts (first handling Ana's child custody issues, then Adam's criminal charges) it was rather easy to forget his name or that he was supposedly an old pal of Billy Abbott's. A few weeks ago, however, it was slipped in that Rafe was the nephew of Victor's house manager Estella, which made me think for the first time he might be sticking around. And then on Friday came the reveal about this sexual orientation.

This doesn't necessarily guarantee that Rafe will become a major character -- Y&R has been so neglectful of LGBTQ visibility, it's hard for me to trust them on this point. Still, the fact that Y&R willingly went there, when they never have before, might mean something. Could it indicate that another character, a major one, will be exploring their sexuality in a new way?

I have to admit, this is where my mind goes... if Rafe is going to have a love interest, who will it be? I think the best choice might be Daniel Romalotti, in which case I hope they go the route of bisexuality, rather than erasing/ignoring the heterosexual history of the Daniel character. Either way, this could be interesting. But I guess we will see.

Happy Earth Day!

Spinoza the squirrel says, "Happy Earth Day!"

Being Erica: A Feminist Review

I have a new TV addiction: Being Erica. If you haven't heard of it, it's an hour-long drama produced by the Canadian Broadcasting Corporation and airing on Canadian television since early January. Here in the States, I've been watching it on SoapNet, where it has quickly absorbed the Thursday night anticipation I usually reserve for Grey's Anatomy (a show that has steadily slipped in my must-see lineup the last couple years). Being Erica airs on SoapNet Thursdays at 10/9 Central.

The premise is this: Erica Strange, a 32-year-old single Jewish woman living in Toronto, periodically goes back in time to address the regrets of her life. In this endeavor she is assisted by her psychiatrist, Dr. Tom, who acts as a mentor-type character, showing up in various disguises and roles to offer her words of wisdom. He's been a janitor, bondage-style bouncer, dog-walker, and all-around lurker, in addition to his usual place behind a huge desk in a huge, dim, musty office where Erica sits opposite him during their sessions, entering and exiting abruptly due to her time-traveling (which he instigates).

Although I haven't even gotten into exactly what I like about the show yet, this is perhaps the one aspect I don't like about it. Although Dr. Tom has his enjoyable moments, overall the positioning of an older male as Erica's spiritual/psychiatric mentor creates a creepy paternalistic vibe that brings to mind the unhappy history of women being subjected to male psychiatrists who supposedly understand them better than they understand themselves. See Betty Friedan's The Feminine Mystique, Erica Jong's Fear of Flying, or the character of Betty Draper in the first season of the TV series Mad Men. And if Erica and Dr. Tom somehow end up together at the end of all this, that would probably ruin the entire show for me. I don't think that's going to happen, but still, yuck.

That said, there is a lot I love about this show. One of the blurbs SoapNet likes to flash around compares it to Sex and the City. I don't really agree with this, however, though it's not necessarily a bad thing. But Sex and the City was clearly a show focused on opposite-sex relationships and same-sex friendships, rather than the influences of family or life choices as a whole. Carrie was the main character, nudged slightly ahead of the other three friends, but it felt like you really only knew her through a certain scattered lens, and saw her from one particular angle that presented an incomplete picture of the character. (Did she have siblings? Did she go to college?) And of course, there was all that shoe shopping.

The character of Erica Strange feels more holistic to me... and less superficial. For one thing, Erica has a family. And that (often troubled) family takes center stage just as often, if not more so, than any of her romantic interests. We learn that Erica had an older brother Leo who died thirteen years ago; not long after that, for multiple reasons, her parents divorced. Erica also has a younger sister Sam, and the ups & downs of their sister relationship, as well as the mother-daughter/father-daughter angles, has been a major part of the family storylines. And because of the time travel flashbacks, we are able to get to know the brother Leo and see his relationship with Erica and the rest of the family. There's also a bit of a mystery angle here, since we don't have complete information at all times, and details of the past fill in gradually. As a result, the family element feels complex and layered.

The show also deals quite a bit with Erica's struggle to find a career path she can be happy with. One of the main issues examined here is how do you reconcile your true self with the compromises you often have to make in order to be successful? Erica regrets that she wasn't as cutthroat and ambitious in college as she could have been -- as a literature major, she was more into cultivating her interests, writing poetry, and finding herself, rather than lining up a solid job future. (As an English major myself, I can totally relate to this.) Yet, when she goes back in time to do just that, she finds she is unable to force herself to be someone she's not.

And then there's the romantic level -- yes, I won't lie, it's there. This is a fairly mainstream-type show, so of course the love plot is going to be hanging around. What I like, though, is how it hasn't overwhelmed the other plots, and also how Erica is neither desperate to get married nor wildly commitment phobic. The object of her affection is long-time college pal Ethan, who has either been dating someone else or married the entire time they have known each other. In the present time, he has separated from his wife and moved into Erica's apartment building, making it seem like an opportune moment for something to happen between them. So far, however, not much has. They've kissed, once; almost immediately after, Ethan's wife Claire shows up and those two sort of patch things up. Erica then starts dating another guy, Ryan, who likes her a lot -- a bit more, even, than she likes him. This all results in a fairly mild love triangle that smacks more of awkward real life than anything else.

All in all, this love plot seemed pretty heterosexist until the most recent episode, entitled Everything She Wants. In it, while in the midst of exploring her feelings for both Ethan and Ryan, Erica revisits her best friend from graduate school, Cassidy -- a relationship she describes as "one step short of a love affair." This made me sit up and take notice, as I thought for the first time the show might really surprise me in terms of where the love plot was going.

Cassidy is a lesbian who makes no secret of her feelings for Erica; in the process of going back in time and intending not to lead Cassidy on (as she did before, which led to them never speaking again), Erica realizes that her feelings for Cassidy were indeed real and intense, and that she did in fact reciprocate on a romantic level. And in spite of Erica insisting to everyone that she's straight, over and over, her feelings seem to lead her in the other direction, until she and Cassidy are stripped down to their bras in front of each other.

And while there did seem to be a small amount of male voyeurism going on, it was not at all the impetus of the storyline. Ethan walks in on them accidentally, but the incident is pretty much absent of any "whoa-ho!" girl-on-girl moments, as he's really more gently concerned about why his best friend never told him she was gay (which she still insists she's not); in general Ethan doesn't make a big deal out of it. And Dr. Tom is the one who sort of pushes Erica away from her stubborn declarations that she's straight -- "Labels are for cans, not people," he says -- though because of their unsettling shrink-patient dynamic, that advice doesn't come off as admirable or innocent as maybe it should. But in spite of these moments, overall I would say that the Erica-Cassidy attraction was presented in good faith, as being about those two people alone -- and their feelings for each other -- as well as the implied fluidity of sexual orientation. Which was pretty cool, I thought.

That said, I found that the Cassidy storyline broke down just when I thought it was getting promising. For instance, the word "bisexual" was never one uttered. There was always the sense that you were either gay or straight, even though Erica's actual experiences with Cassidy, contrasted with the two guys (all of whom she cared about, and cared about her), seemed to scream otherwise. Also, the general theme behind the episode was unrequited love, more so than really examining the fluidity of sexual experience. By the end, it was about "all or nothing" commitments, and not really about Erica being more open to partners of different genders. Going into the episode, I was hopeful it might change the direction of the love plot entirely, but by the conclusion, the Cassidy arc felt more like a one-time, one-shot occurrence that probably won't be revisited. Still, I'm glad they went there, and maybe in the long run I'll be surprised, after all.

Turning to pure entertainment value for a second, one thing I enjoy immensely about this show is the use of music and current events from the different time periods Erica revisits. This taps into a nostalgic angle that I can't help but be sucked into, being 30 years old myself (Erica is 32). So far, these past mileposts/events range from the late 1980's when she returns to her Dirty Dancing-themed Bat Mitzvah where her overweight gay uncle serenades her in a Patrick Swayze-style boogie, to the mid-2000s when she and her sister get stranded at a house party during the East Coast blackout of August 2003. These incidents range from thematically resonant to absurdly comic, the latter evident in choices such as highlighting the Y2K parties of 1999, a quip about Chumbawamba totally not being a one-hit wonder back in 1997, or Erica reciting a bit of a Britney Spears' song (pre-"Baby One More Time") rather than the poem she actually wrote, and the irony of how the pretentious, verbally abusive creative writing professor loves the plagiarized "Baby One More Time" more so than her actual work.

Overall, Being Erica has its flaws, but actress Erin Karpluk makes Erica shine -- I find her to be an extremely endearing, likable actress who, along with the writers, creates a character absent of most female stereotypes. She is neither virgin nor whore, angel nor bitch, tomboy nor fashionista. And in the context of mainstream television, where shows are still rarely centered around one female character, I find Being Erica thoughtful, funny, and refreshing in its willingness to examine the joys, heartaches, and regrets of a single, 30-something woman trying to navigate her way through life on her own terms and in her own way.

Are other people watching this show? If so, what do you think of it?

Crossposted at Radiant Likeness.

Y&R: Kids Caught in the Middle of Eff-ed Up Adults Who Only Want What's "Best" for Them

So it was child custody day on Y&R... Karen, Neil, and Tyra were in court regarding Ana, while Billy, Chloe, and Cane were gearing up for their throw-down over Delia. Things seemed to be going Karen's way until Neil stood up at the end "to say something." Who wants to bet he has something to say about the stability of their marriage? Or the total instability... caused by him, incidentally. I usually like Neil, but lately he has been a royal jackass. Poor Karen.

I have mixed feelings about stories like these. On one hand, real-life courts still tend to favor mothers, which may not always be fair. But on the other hand, soaps often make an extreme effort to create messed-up mothers they can take children away from, like Chloe and Tyra, even though soap fathers are usually equally wack and unstable. For confirmation of this phenomena, see the case of Meg, Paul, & Eliza on ATWT.

And this has been bugging me for some time -- can Ana please stop calling her foster parents Mr. Neil and Miss Karen? They're hardly strangers at this point, and especially because of the Devon connection, every time she says that it ends up feeling like some weird racial, class-based throwback that just gives the whole thing an uncomfortable dynamic. So just stop it already, writers!

Y&R Quick Hit: Say What?

Was that our sweet, modest Murphy claiming he couldn't dance on Y&R today? Because that "evidence" he gave about stepping on Katherine's toes... well, it sure didn't match the amazing mambo I saw him do last week. But at least Katherine wasn't buying it, either.