81st Oscars: General Impressions

If the theme of this year's Oscars was meant to something of a throwback to the 1930-40s variety shows of classic Hollywood, there were certain things I liked about this theme and others I would prefer to leave in the past.

What I loved: everything about Kate Winslet and Sean Penn's acceptance speeches, the gathering of Best Actresses (I hope they continue this part of the format next year -- it gave me chills), and Meryl Streep -- can she sit in the front row every year, whether she's nominated or not?... because I get a lot more joy out of seeing her there than I ever did Jack Nicholson.

What I liked: Hugh Jackman in general, the singing & dancing, sort of a loosening up of an often uptight event, which created a Tony-meets-the-Oscars feel (as a musical theater fan, this was enjoyable, I thought).

What should be left in the 1930s: any reference whatsoever to blackface, the bevies of pants-less beauties during the dance numbers, and the once-again male-dominated categories (almost every one except the actress and documentary categories, it seemed).

One thing that's often discussed in feminist circles during awards seasons is why in the world there are sex-divided categories for acting at all. On principle, I agree that this seems bizarre, since it's a much more artificial division of abilities than in sports (although I would probably argue those divisions are largely artificial too). But by dividing acting categories by sex, you're basically saying that female performances can't be compared to male performances even though they can be compared to each other, and vice versa. Which IS weird, especially when you see Sean Penn competing with Mickey Rourke and Brad Pitt in the same category, all with three wildly different styles and characters.

All of this I agree with. But when year after year it becomes so freaking obvious how male-dominated most of these categories are, I find myself clinging to the ones that are actually female-only. When Shirley MacLaine & Sophia Loren were up there with the other Best Actresses right before Kate won, I was loving it. Which makes me worry that if the acting categories were co-ed, women might be pushed out altogether, or reduced to token nominations.

[Sidenote... During the credits they showed snippets of upcoming films, and I caught a glimpse of Amelia starring Hilary Swank, which appears to be a biopic about Amelia Earhart. Not sure when it's coming out, but I'll be pretty excited for this one!]

Crossposted at Radiant Likeness.

81st Oscars: Live Blogging

Have to say, I'm really liking the format for the acting awards, with a handful of winners from the past introducing the current nominees. Feels personal and emotional, which is nice. When Whoopi Goldberg, Anjelica Huston, & the others got out there right before Penelope Cruz won, I was really into it. It felt like history -- and community -- rather than a single person winning a single award in a singular moment.

One awkward? moment -- I wasn't quite sure about Cuba Gooding, Jr.'s presentation of Robert Downey, Jr. as a Best Supporting Actor nominee. On one hand, it seemed like he was poking fun... on the other hand, he used all the time allotted him to poke fun. If there was some real resentment there I wouldn't be all that surprised (or blame Cuba in the least). I haven't seen Tropic Thunder but it's my personal opinion that a white actor in blackface will always be a slap in the face, no matter how "clever" the character supposedly is. But again, I haven't seen it. Still, Hollywood is often rather clueless about these sorts of things, even as "liberal" as they claim to be. So I'm not quite willing to take their word for it in this particular instance. Especially since no men of color were nominated in either acting category at all. Stay classy, Academy.

81st Oscars: Live Blogging

Good stuff so far... Jackman's intro, Penelope Cruz, Tina Fey & Steve Martin, Dustin Lance Black (Milk screenwriter)... not to mention Domo arigato, Mr. Roboto! :D

In general I'm liking the format this year... it feels more authentic and less gimicky than in the past, though still uber-glitzy of course.

I'll be checking in again... keeping fingers crossed for Kate Winslet.